The Dead Don’t Die (2019) – A Subtle Dead End December 11, 2019 “The Dead Don’t Die” is not one of those films with the subtle or else message; if there wasn’t a cheesy moment whatsoever.
Pierrot le Fou (1965) – An Unorthodox Work of Art December 9, 2019 “Pierrot le Fou” is true of Godard’s work.
The Irishman (2019) – Time Changes Nothing December 9, 2019 “The Irishman” directly becomes a classic movie, still uses its tradition, still has its formula and style, and a movie you never see it again in the next year.
Good Time (2017) – Down the Rabbit Hole December 8, 2019 “Good Time” transformed into an entertaining, impressive, yet refreshing indie thriller movie.
Klaus (2019) – Welcome to the Jingle December 8, 2019 Sergio Pablos’ “Klaus” is one of the few examples of how animated combines a traditional way with more modern sense on it.
The King of Comedy (1982) – No Laughing Is Matter December 7, 2019 “The King of Comedy” might be Scorsese’s forgettable in all of his movies but offers a sweet and bitter struggle of the characters in this movie.
Finding Santa (2016) – Into a Magic World December 7, 2019 “Finding Santa”, apart from the soggy story and one-dimensional characters, has a great ambition with the effort they put into.
Abominable (2019) – The Animated World of Ecocritic December 7, 2019 “Abominable” just didn’t work in terms of the generic story regardless of the beautiful landscape of the shot and yet, this movie still has the magic they put on.
Under the Skin (2013) – A Mesmerizing Work about Self-discovery December 5, 2019 “Under the Skin” is a momentum, celebration, filmmaking full of absurd metaphors of sound, sight, and image.
Aladdin (2019) – A Movie We Didn’t Choose Wisely December 3, 2019 The CGI, the cinematography, this movie is awe; and apparently, I had enough with this movie.
